emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs

the spanish label technologika records has the premiere in this new release number 18 in format vinyl, on the occasion of his second anniversary. there is signed the most representative artist of the label jose castillero, after his recent publication for resopal schallware (berlin) now we surprise with this new work focused in sounds techno more forceful and ultramodern always characterized by his technology and personality in his productions. also we will be able to enjoy the remixes created by the artists axel karakasis, dylan drazen and stanny franssen.supported by: richie hawtin, slam, paco osuna, claude vonstroke, roland m. dill, sasha carassi, dave ellesmere

kojak giant sounds strike gold once again with another killer 12inch. hailing from finland kojak giant sounds has released from the likes of maxxi soundsystem, rayko, young edits, nicholas and many more. this time pat les stache takes the reins with two tracks that will slay the dancefloor. limited copies.

2012 will be a year for new faces on the boe release schedule and first up is professor inc., a producer from paris who has taken inspiration from the masters of the early dub house and techno sounds, incorporating samples borrowed from the days of floppy-disk sharing to create fresh new soundscapes with a very modern feel. he delivers a 4 track ep of stripped back house with complex peripheral textures and effects, from the evolving strings and moving sub bass of path illumination and vtm beos tribute to the sinister echoes and delayed drums of elements combined and essence dub.

nynfus corporation is the name of a crew of rising starts in the nu funk/ghetto funk scene. top class ghetto funk productions with an ethnic twist are what the 3 boys from budapest, hungary are all about. after doing release on the bombastic jamand bigm label the crew turned to bbp to drop their dopest release to date. the a-side gives us funky peak time ghetto pumpin jams, whiles the b-side shows us a little a of that ethnic/europeanstyles the boys do all so well. all 4 tunes are tested with party rockin guarantee, and they will surely be doing some major damage on the dancefloors this summer.

when dynamodyse made his debut on wph back in 2009 he struck a chord (pun intended) with lovers of emotional deep house worldwide. hailing from dortmund, mathias matze schmitt is a special character that immediately fit the bunch of wph nutters, so it was only a matter of time before he would be back with a second release. which incidentally will be his second release ever, which goes to show how much he trusts wph and how much wph trusts dynamodyse.

the view ep is a collaboration project between berlin dj / producers sebastian krenzlin and sebastian stöhr / 88uw. sebastian krenzlin is one of the new talents playing at tresor club, berlin. krenzlin is proofed by tresor and a talent behind the desks - strobe and fog will do the rest. sebastian krenzlin and he is simply one of techno musics most staunch supporters and preservers of the genre.

boston beat boi tanner ross is finally back, with another embodiment of his signature take on future efunk. ranging from creamy nostalgic r&b featuring pillow talk, slow hands and jesse rennix to tripped out weirdness in collaboration with lonely c and 80s synthesis romance with jules born, the straight to the moon ep on double standard will take you from palm-fringed miami sands to deep outer space. across five originals (side a and b on pure white 10?) and two instrumentals, tanner ross once again casts his sonic spell with a master class in originality with support from select members of the wolf + lamb collective, having already made his artistic footprint on labels land no.19.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

on her first ep, a.n.i.c.e. composed a track which is deep and full of emotions. >wait for me< is the official wake-up call for all the daydreamers and dally fairies. its marvelous vocals capture the listeners attention. dj le rois remix is more the four to the floor part of this ep. because of the driving bassline not even the last foot will stand still. >the dawn< is boosted by percussion elements and vocals that can only be sung by fairies underline this emotional track.
support by mathias kaden, daniel stefanik, brothers vibe, matthew dear, salvatore freda, tim green, david durango, ...

after 4 years and 14 digital releases, more or less is proud to present to you their inaugural vinyl release. the record is a fitting tribute to our fans, friends and the people who have helped support our sometimes illogical and irreverent musical endeavors. enjoy these previously unreleased tracks, and as one wise man with the red face once said … full support, will play.

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated philadelphia international classics: the tom moulton remixes.

instruments of r.i.p.ture. after 3 years and 9 releases covering edits, remixes and original productions, instruments of rapture hammers the final nail in its own coffin with the delivery of part 10. the triple vinyl release includes a special selection of unreleased tracks (with vinyl exclusives) and remixes from friends and family of the label. a limited cd will be released in late june with exclusive material from the labels vaults. the final release party will be held in glasgows infamous sub club on bank holiday sunday june 3rd with 6th borough project and ooft alongside the revenge debuting his new live set.

this is the debut release of berlin based producer franklin de costa on mule musiq. he has released from some various label like curle or trapez. title track on a side is atmospheric jazzy deep house. if you like the sound of larry heard, you will definitely be into this song. b side is berlin manner dark house tracks. maybe it is for fans of omar s.

transatlantik-koop zwischen den aus chicago stammenden mcs just jay & widom o.n.e. und produzent trishes (beattown, tlm records, melting pot) aus wien! the luv bug will bite you if you dont watch out ... watch out!
inklusive code für mp3-download des albums.

that leather glove. that bum. one of the most recognizable and celebrated record covers from the noughties.
critics and audiences alike were blown away by the gargantuan success of the 2001 debut-album of this new york quintet, and we are still recovering from the aftershock ten years later. drawling vocals, bouncy basslines, gnarly guitar riffs, and a steadily chugging beat made >someday< and >last nite< the anthems of a new generation.
so put on your skinny jeans, tousle your hair, and find yourself a model, is this it will make you feel like the coolest kid on the new york block!
180 grams audiophile vinyl pressing.

uh oh! here we have last years ridiculously massive backwoods tracks remixed by esp institutes bad boys. the stallions (lovefingers and lee douglas) take dj kents hit cloud nine to the church of rave to meet a dirty belfast gospel that will turn your trout-pout upside down and leave your feet bleeding. just try to find a room big enough to hold this 12 minute monster! on the flip, cos/mes tropify the backwoods album opener awakening in a stylee that has become their signature, lush and loopy. this is a special collaboration between tokyos ene records and esp... dont slee

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

striclty ltd! strictly limited vinyl with no re-press! silkscreened artwork by house of traps! clear vinyl! out of the blue comes this expansive lord of the isles 5 tracker! fresh from his release on japanese label ene, loti throws a curveball and gives us the third installment in the unthank series. synth sketches, floating ambience and warehouse tracks, taken from a hard drive that time forgot. a journey of whiskey, analogue electronics, scottish landscapes, nostalgia and underground parties. as usual, there will be only one press with silk-screened artwork from house of traps.

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

this is second part of >looking for the sea in remix< by the electronic indie project pupkulies & rebecca. you will find 2 nice remixes by wareika.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for our 28th release, we are back again with simoncino for the >warrior dance iv<, this brand new ep will feature on a side the wonderfull chicagos proto – house jackin heaven tracks >its hot>, >movida< & to end >ore nove nove<. on the b side, we have the very big honor to get 3 extraordinary remixes, two (!) from the legendary merwyn sanders from virgo four fame & another one from another legend the great gene hunt ! this is the kind of release that will remind you whats house music is all about. useless to say that simoncino is on top right now & is writing some future & cult club classics. a must to have in every djs collection

will azada is back for his third appearance on proper trax, and his first solo 12 inch, with the appropriately titled strictly heat. drawing from the success of the labels split personalities ii, his collaboration with piltdown sound on the wet feet ep on woods n bass, and >easy does it< on the newly-minted mystical disco imprint, will azada continues to draw attention to his diverse style with three floor-torching cuts on proper-003. from the driven, hands-in-the-air piano house of >pump that shit<, to the queasy chords of the unconventional, yet highly mixable >drunk sequence<, to the relentless, searing arps of >for the floor<, strictly heat is likely to induce near-strokes on dancefloors globally. other info: marbled color vinyl, red jacket, black sleeve, 200 copies available.

cutterz choice get back amongst it with a new release from rhythm beater. the label has been dropping beats since 2003 and in that time has earned a strong fan base, featuring artists such as benny page and ed solo. release 19 is by no means a let up, one that will make all the heads nod.

we here at thema are proud to be staring down five years of history — all the while with our sights locked in, waiting patiently for the right moment to launch this very special project—and we feel now is the time to unleash this beast. its main purpose is to release pure sonic explorations, straight up techno for a new era and will be a vinyl-only affair aimed at all you true djs out in the trenches, who appreciate the real thing. so for this momentous occasion, we have invited a field-tested thema solider, terrence dixon, or as he shall be known here: population one, one of his rarely used alias.

this are the remixes of the great album >looking for the sea< (normoton 37) by the electronic indie project pupkulies & rebecca. part1 (rc033) presents 3 wonderful remixes by marek hemmann, guti and clockwork and on part2 (rc034) you will find 2 nice remixes by wareika

nice price deal !!! this new record from dj absurd on kiosk records imprint sets new musical landscapes for the parisian producer.more used to dancefloor tear-out anthems than soundtracks for meditation , he delivers there a very deep record bringing back the memories of his uk garage background. both tracks on this ep have enough sub bass to make the ground shake even if listened to on laptop speakers ! skanky drum patterns & dubby chords ride on a gigantic bass worm making its way from your feet to your brain in a second.for fans of: dmz, mosca, random trio, kryptic minds & generally speaking it will please any bass music enthousiast in a deep mood

after the great success of jerk house connections velvet touch release, stalwart is quite proud to present you its 21st release from one influential member of the infamous broken beat uk combo bugzintheattic: orin walters aka afronaut. orin heard the slam poetry of suheir hammad, a speech about the wheel power not to give up into any extreme ideological, political and/or religious undemocratic system. he craftily joined his minimalist deep groove to emphasize it, giving birth to eye will not, a track that is sure to be noticed in any sets. on the remix treatment, bugzintheattic have been working on their classy broken beat treatment, whereas dj rork has been giving it an infectious hypnotic house touch with an heavy bass, while deep house man of the moment djeff kalukuta relift it for the more south african house music dance floors.
another quality and classy release from stalwart sure to take wmc 2012 by storm! already getting early support from phil asher, yass, ian friday, ralf gum, master kev, abicah soul, lars behrenroth ...

first on only availanble via decks.de !!
vierzehnnullvier is a potsdam / berlin based label that will start with a release by an artist called unholded. the first vinyl is supplemented with a remix work by the incredible and well known artist bruno pronsato. nothing more to say but ... vinyl first!

the fact that they are the hottest band in the buzzing spanish independent music scene in itself may not be enough to stop the presses, nor are all the comparisions to the black keys or the band citing motorhead as their main influence. its hard to break into the crowded new band scene, but let us give you a piece of advice before deciding who should stop the presses - just sit and listen to the album first.
a text like this usually tries to say how great the group is and how new and fresh their songs are. in this case, we are going to try to save time and space, and just talk about the right ons.

their forse deep remix add some shifting percussive elements, a big synth bass, lush pads while layering the main vocal theme. yoshitaca remix completes this tasty package. tokyo based producer, this talented artist was behind one of metrolines most successful releases in 2011, the beautiful just lay back ep. his approach is also deep, with slower tempo, hypnotic synths, deep bass, smooth chords and an infectious groove that will make sure you are locked on the dancefloor!

vinyl only! limited to 300 copies worldwide. these two swinging cats deliver four funked up vintage house cuts that will touch your mind, body and soul. the fellowship of the funk gets down straight to the floor with their first release.

will azada opens with a huge, meaty bleep-chunking stomper. jackson lee comes back on the flip with his glacial dub, looming kicks awash in sub-ambient chords, then shifts from a mood of menace to one of somber longing.

deso records are fast becoming the place to be for quality deep house... defiantly representing its self as a quality label, and this 2nd vinyl release is no exception. michael mclardy & dudley strangeways give you quality deep flavours on this release. early dj and radio support from krüse & nurnberg, moodymanc, giovanni damico, nadja linn and many more.

its been a while since we have seen a release from dfrnt for on the edge, but im proud to announce, the wait is finally over! this ep provides us with an abundance of different flavours, but still retains the genius sound that is dfrnt at the very core of every tune. let me first draw to your attention to >the big freeze<. its a drum and bass track that has been moulded like a true pro. it sounds like dfrnt has been producing d+b for a long time with the finishes on this track, but believe its one of his earlier efforts. its a refreshing bpm for his take on electronic music and hope to hear more of the same from dfrnt soon. then dfrnt shows us what he is all about when he goes all out 4x4. a dirty, gritty techno roller (with a skip) that will blow your socks off! love the production on this one. then we have >monday morning<. this does exactly what it says on the tin, just the type of tune you need to bring you down after a heavy weekend. as though that wasnt enough, there is a 170 remix from man of the moment, indigo! support comes from: hatti vatti, synkro, versa, mary ann hobbs, kissy sell out, fused forces, loxy, dj rum, 501 and truth to name a few.

unxpozd presents dj aakmael – the undrgrnd ep, giving you four fresh deep house bangers! the journey starts on the earthside with just a track pt 3, which is a soulful dance-floor ready tune with aakmaels signature chopped up grooves. the second track untitled 66 offers listeners a more laid back deep house groove, with strings and other sounds that will keep dancers in their own fantasy within their minds!the second side of the journey takes you further thru the regions of space with the spaceside. midway thru the journey is the calmer recess, a more serious mellowed out bass-filled groove that delivers the calm after the storm. concluding the trip is deep again, offering listeners that trademark headknod feel that aakmael creates seemingly with ease! this is a project for the serious deep house collector, alien and human alike

excellent third release on the essential supafrico records featuring four absolutely stunning afro flavoured grooves dug deep from the vaults. first up we have a previously unreleased extended version of >hot black n sweet< by nigerian funkster kio amachree. taken from the über-rare 1981 >ivory< lp, this a slice of pure funk filled afro boogie led by a groovy phat bline, driving horn section and kios magnificent kid creole-esque vocals.

aleph04 comes with three special reinterpretations of the labels first three eps. mano le tough is first in line. his remix of > flowers on fire< from aleph01 takes the originals colorful and spaced out vibes and puts them into a little more dancefloor friendly context, with a big 808 booming away and the swirls of the original synthline driving the track forward. mano has been a big supporter of the label right from the start and his releases on permanent vacation, buzzin fly or internasjonal have been turning heads quite a lot, so its an honour to have him on board. the second remix is by wasted gaze. this newcomer from vilnius / lithuania delivers an amazing version of >port hope< , taken from aleph02. a powerful, 2step / garage inspired beat sets the pace, while glowing pads, a super deep bass and enigmatic vocals take care of the rest. watch this guy, his untitled states ep on partyzanai is one of the most intersting and exciting records in a long time. the last track is a remix by aera aka m50 from chicago, who, quite fittingly, took care of this spaced out take on whats my name again? from aleph03. this one is for the heads, a special gem that will work magic in the early morning hours

limited to 300 copies. available only on vinyl.
for the fourth ep on austere, irelands slowburn are welcomed into the fold. having impressed us with releases on uzuri and elektrosouls this ep will not disappoint fans of the label to kick things off we have the the hustle which sounds like something that prescription forgot to release back in the day! next up is broken document which delivers lovely warm analogue chords and pads interlaced with an 808 groove. the b-side starts off with do it using various samples to great effect to culminate in a unique deep house sound. finishing things off in much the same territory is from another angle which again brings the warm chords and pads, but also brings to the table some really delicate synth lines to create a surreal effect.

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.